2364742
ShastaOutdoorMedia
wrote
Dec 9, 2011 at 20:37
Dec 9, 2011 at 20:37
If you really want to, but "getting into film" is very expensive. Think $1/photo after film, development, etc.
2364737
ShastaOutdoorMedia
wrote
Dec 9, 2011 at 20:31
Dec 9, 2011 at 20:31
hey I saw your post in the AVG, and I can tell you right now, unless you don't want your handycam anymore, don't go for that trade. 35mm film will leave you broke faster than anything, and there's no guarantee that the old glass is still good. On a lot of them the adhesives internally have developed cracks and the anti-glare coatings have broken down (I know all of this from first hand experience with my Olympus OM-2).
2328031
ShastaOutdoorMedia
wrote
Oct 21, 2011 at 22:16
Oct 21, 2011 at 22:16
I use h.264, just select the vimeo 720p preset and then tweak it however you want. Unless bandwidth is an issue I'd use a base bitrate of about 8mbps, but if you're fussed then 5 is fine. Use maximum render quality.
2328029
ShastaOutdoorMedia
wrote
Oct 21, 2011 at 22:11
Oct 21, 2011 at 22:11
no like for what sort of delivery? Like web videos, DVD, max quality, etc.?
2327988
ShastaOutdoorMedia
wrote
Oct 21, 2011 at 20:16
Oct 21, 2011 at 20:16
Import your clip to Premiere, then cut it the way you want in the timeline as though it was already stabilized like you want, then right click on it and select "replace with after effects composition". This will open AE and put in your clip with its cut length and even Pr effects on it, then just do the stabilization on it in AE and save the file, and then premiere automatically reads this data from after effects (even when AE isn't even open!) and applies the changes to the clip in your premiere timeline. Best workflow for this type of thing...
Sorry I can't answer in the thread.
Sorry I can't answer in the thread.



Port Alberni, British Columbia, Canada 
It teases you. Just to get people thinking ya know?




























Dec 9, 2011 at 20:49